July 2001 – vol. 94, issue 7, pp 319–325 This year, the judging took place at the Christopher Helm offices in London. Making up the numbers on the panel alongside Robert Gillmor, Alan Harris and Keith Shackleton, I was a little nervous about voicing the opinions of a mere publisher. Nonetheless, it was fascinating to gain some insight into the way in which such eminent artists approach their work. In fact, I was surprised by the degree o... This article is only available to registered users.To read more, please log in or purchase a subscription.