The precision and supreme artistry of Lars Jonsson's stint paintings (plates 113 to 120) fully match the complexities of the subject. They bear the closest inspection, and provide a further major advance in stint identification, building especially on that made by Wallace (1974). The first section of this accompanying text deals with general information relevant to stint identification as a wh
...This article is only available to registered users.
To read more, please log in or purchase a subscription.
